Showing posts with label Assemblage. Show all posts
Showing posts with label Assemblage. Show all posts

Thursday, November 8, 2012

OM.2012.265 - Bird Thomas - USA

Title: You Will Only Find Tomorrow on the Calenders of Fools
Bird Thomas - USA - assemblage - sent for Fluxhibition #6: Fluxus Till the End of Time

Wednesday, September 19, 2012

OM.2012.239 - Blue Haas - USA

Blue Haas - USA - 'Uncle Skull' - Assemblage - 8x8 inches - composed of various recycled electronic devices

Thursday, May 10, 2012

OM.2012.123 - Marian Savill - United Kingdom


om.2012.123 - Marian Savill - Revelation - 2009.jpg


"Creating assemblage pieces with found objects and used materials, which others view as the detritus of life, fascinates me. The possibilities of the used, the discarded and the throwaway provide me with constant inspiration and creative challenges.  The very nature of the materials I use to build my assemblages simultaneously binds me to the past, captures the present and illuminates the future. Assemblage is about making connections, drawing yesterday into today and projecting today into tomorrow."

Monday, April 16, 2012

om.2012.120 - Merry Rozzelle - USA

om.2012.120 - Merry Rozzelle - 2012 - Finding Faith - "Finding Faith" - assemblage - 7.25" X 8.25", Plaster, wood, found doll, wasp nests - 2012

"Art saves me each and every time. That is all."

Thursday, April 12, 2012

OM.2012.114 - Dorthe Grum-Schwensen - Denmark


OM.2012.107 - Richard Misiano-Genovese - USA

 OM.2012.107 - Richard Misiano-Genovese - USA - Woman-Feathers

Fire Works

The first thing that comes to mind here is the moment I discovered fire; not in the sense of when as a child I
marveled at the bright flickering flames, or the heat radiating outwards but when playing with a bit of drawing and then touching the paper here and there with the lit match so that the paper would be blackened from the soot, or singed from the heat, and then openly burned. It was more in the discovery that the fascination and excitement that fire seems to hold over children fades with maturity.

I found that I was able to reach deep into my own psyche, and find the remnants of the fascination that playing
with fire held for me. Animals instinctively fear smoke and flames and will flee at the mere presence of fire, but humans are a strange lot. Fire appeals to our emotive levels if not our intellectual ones. My balancing act of burning my drawings, or rather burning with my drawings, was an attempt to explore unfamiliar territory, or at least less familiar than fading memories of my childhood fascination with fire, like most other children.

It is with these assemblages I played with fire.

The act of burning paper, allowing the heat and flames to consume the pulpy substance, with minimal control over the end results, is further excited by the anticipation of how this very automatic writing in smoke and flame will proceed to consume and literally re-compose an artwork as it decomposes it as well. When in the process of drawing some ideas that spill out from the subconscious regions of the mind, there is no real sense of anticipation as to what shall transpire next when flame is put to paper. The act of burning reduces too, the “preciousness” of the drawing by relegating it to the flames. The attachment of the offending matches becomes the protagonist in this drama play. Action art, the quest for truth and reason but in the end a destructive force which reduces itself to a state of grace upon further examination. It is in this mixture of proposing an idea in pencil or ink as an image, with a bit of facile attention to the materials, and then assailed by the natural force of chemistry, nature’s gifts manipulated by man into the most primal technology: fire.

Richard Misiano-Genovese

(2010)

Monday, February 6, 2012

OM.2012.068 - Joel Schapira - USA



OM.2012.068 - Joel Schapira - USA - Rattling the Cage - Assemblage - 19"w x 12"h x 6"d - materials include: cardboard, metal seam binding, retired library card catalog cards, ribbon, string, wooden propeller, rubber stampings, boy scout manual pages, fallout shelter instructions, and beeswax.

OM.2012.067 - Mark Tobin Moore - USA

OM.2012.067 - Mark Tobin Moore - USA - Keep Up Your Guard - 24 1/4 x 8 x 2 1/4 inches - 2006 - mixed media assemblage with acrylic paint, wood glue, found objects, and magazine photographs on a recycled piece of wood from a demolished house. Framed with salvaged interior trim molding.

http://www.marktobinmoore.com/

Monday, January 30, 2012

Wednesday, January 25, 2012

OM.2012.014 - Keith Pace (USA) for Collage Centennial


OM.2012.014 - Kieth Pace - USA - "BONE APPETIT" - Assemblage - 15" x 11" x 2" - Wood serving tray with dinner plate, silverware, and bones. WEB: zhibit.org/kpaceart